nacao zumbi造句

• Both Nacao Zumbi and Andrea Marquee appear on the Gonzaga tribute.
• Chico Science and Nacao Zumbi ( Sony Discos ).
• Nacao Zumbi, " Radio S . amb . a . " ( Stern's Brasil ).
• With the growing interest in Latin American rock, Nacao Zumbi might be one of the greatest rock bands in the world.
• In 1991 he formed a new band, first called Lamento Negro and then Nacao Zumbi, with five traditional drummers alongside rock instruments.
• But by 1991 Chico Science and Nacao Zumbi combined rap, rock guitars and three drummers playing the surdo, the large military drums used in samba as well as the local maracatu.
• In the mid-1980s, Chico Science, a poor mestizo kid who liked break-dancing, graffiti and rapping, used to go there to meet his friends, who would become his band, Nacao Zumbi.
• The core of the mangue-beat style is currently represented by Nacao Zumbi ( or Zumbi Nation, after a 17th-century runaway slave ), which has only recently resumed activity after Chico Science's death.
• He and his band, Nacao Zumbi, who are to perform at SOB's on Wednesday, looked to a few of the same Western styles that Gil did, but relied more on newer sounds like rap, heavy metal, techno and punk.
• Artists from the Recife area have a history of connecting its regional traditions with modernism : Gilberto Freyre was part of a literary Regionalist movement in the 1930s, and the brilliant Nacao Zumbi are known for mixing in ciranda rhythms with their rapping and heavy-metal guitars.
• But at this point, Nacao Zumbi's rap-rock and Mundo Livre's aerated funk grooves could not sound more dissimilar, and the movement's next phase seems to be suggested by the electronics-with-regional percussion of Otto and D . J . Dolores.
• Nacao Zumbi, the band led by the innovative Chico Science until his death in 1997, continues its hard-nosed merger of funk, hip-hop, Afro-Brazilian drumming and rock cantankerousness on " Radio S . AMB . A " ( Stern's Music ).
• Dressed in fishermen's hats and hip sunglasses, Chico Science and Nacao Zumbi at times grounded the songs in the traditional rhythms of their home state of Pernambuco; at other times, they became post-modern and made fun of Brazilian pop, even performing a parody of a Roberto Carlos song.
• With five percussionists flailing away and a minimal Brazilian funk sound all their own, Chico Science and Nacao Zumbi may accomplish what only a select group of musicians, including Gil, have managed to do : create a hybrid capable of evolving into a style that will one day be hybridized by another generation.
• Included here is the cream of a new creative Brazilian scene, mostly from the Northeast and Sao Paolo _ rock bands like Nacao Zumbi and Sheik Tosado, the eclectic Mundo Livre SA, curious regional-music explorers like Mestre Ambrosio and Cascabulho, the singer Andrea Marquee, and the DJs Otto and Dolores.
• I recommend Abril Pro Rock for anyone looking to mix their tourism with music : mangue beat, the roots-into-pop genre that began in the early'90s, is still flourishing in groups and artists like the rockish Nacao Zumbi and Mundo Livre, and the more electronic Otto and DJ Dolores.
• A number of intriguing musical hybrids are currently emerging from the dance music underground that incorporate healthy doses of world music elements into their dance-floor mix .-0-CHICO SCIENCE & NACAO ZUMBI, " Da Lama ao Caos " ( Sony Discos CD-81594 2-464476 ).
• With his band, Nacao Zumbi ( Zumbi Nation, named after a 17th-century runaway slave leader ), Chico Science created " mangue beat, " melding the booming rhythm of Afro-Brazilian maracatu drums with other northeastern Brazilian styles and with international influences like funk, hard-rock, rap and reggae.
• This year's edition included the mangue movement's biggest bands _ the post-Chico Science version of Nacao Zumbi and Mundo Livre SA _ as well as non-mangue groups from around Brazil like the hip-hop-reggae band O Rappa, from Rio, and the Sao Paolo punks Ratos de Porao ( Rats From the Basement ).
• For fans of rock and electronic music, I recommend Otto's " Samba Pra Burro " and Nacao Zumbi's " Radio SAMBA . " as well as Chico Science's " Afrociberdelia, " which was to the mangue-beat movement what Nirvana's " Nevermind " was to the Seattle rock scene.